Finally Up to SpeedComplications Ensue
Complications Ensue:
The Crafty Screenwriting, TV and Game Writing Blog




Archives

April 2004

May 2004

June 2004

July 2004

August 2004

September 2004

October 2004

November 2004

December 2004

January 2005

February 2005

March 2005

April 2005

May 2005

June 2005

July 2005

August 2005

September 2005

October 2005

November 2005

December 2005

January 2006

February 2006

March 2006

April 2006

May 2006

June 2006

July 2006

August 2006

September 2006

October 2006

November 2006

December 2006

January 2007

February 2007

March 2007

April 2007

May 2007

June 2007

July 2007

August 2007

September 2007

October 2007

November 2007

December 2007

January 2008

February 2008

March 2008

April 2008

May 2008

June 2008

July 2008

August 2008

September 2008

October 2008

November 2008

December 2008

January 2009

February 2009

March 2009

April 2009

May 2009

June 2009

July 2009

August 2009

September 2009

October 2009

November 2009

December 2009

January 2010

February 2010

March 2010

April 2010

May 2010

June 2010

July 2010

August 2010

September 2010

October 2010

November 2010

December 2010

January 2011

February 2011

March 2011

April 2011

May 2011

June 2011

July 2011

August 2011

September 2011

October 2011

November 2011

December 2011

January 2012

February 2012

March 2012

April 2012

May 2012

June 2012

July 2012

August 2012

September 2012

October 2012

November 2012

December 2012

January 2013

February 2013

March 2013

April 2013

May 2013

June 2013

July 2013

August 2013

September 2013

October 2013

November 2013

December 2013

January 2014

February 2014

March 2014

April 2014

May 2014

June 2014

July 2014

August 2014

September 2014

October 2014

November 2014

December 2014

January 2015

February 2015

March 2015

April 2015

May 2015

June 2015

August 2015

September 2015

October 2015

November 2015

December 2015

January 2016

February 2016

March 2016

April 2016

May 2016

June 2016

July 2016

August 2016

September 2016

October 2016

November 2016

December 2016

January 2017

February 2017

March 2017

May 2017

June 2017

July 2017

August 2017

September 2017

October 2017

November 2017

December 2017

January 2018

March 2018

April 2018

June 2018

July 2018

October 2018

November 2018

December 2018

January 2019

February 2019

November 2019

February 2020

March 2020

April 2020

May 2020

August 2020

September 2020

October 2020

December 2020

January 2021

February 2021

March 2021

May 2021

June 2021

November 2021

December 2021

January 2022

February 2022

August 2022

September 2022

November 2022

February 2023

March 2023

April 2023

May 2023

July 2023

September 2023

November 2023

January 2024

February 2024

 

Thursday, September 06, 2007

Eleven pages of rough draft today. That's a good day's work any day. (Unless my staff and I have for some reason just been parachuted into a ongoing production and we need to rebreak the next episode and then write it from scratch for a production meeting tomorrow. Speaking hypothetically, of course.) In development, I like to get five good pages in a day, once I'm writing pages; a good day could bring anywhere up to fifteen, at which point I usually pack it in so I don't start writing gibberish.

Except the first day. Many days, the first page often seems to take me the entire first day. Go figure.

It's taken me a much longer time to get up to speed on this script. Various people liked the outline, and I didn't feel like there were holes in it. But writing the early scenes proved to be much harder than I thought. I had to rethink practically every scene in the first ten pages -- usually the mark of an outline where you've indulged in too much handwaving.

I don't think it's handwaving. I usually know when I'm handwaving. I think it's because the contemporary urban metaphysical I'm writing isn't really plot driven, although it pretends to be. It's really character driven, following the Rule of Joss I've mentioned elsewhere. So it is harder to gauge when I'm taking too long to get into the A story. On a broadcast hour, you really want your A story up and running in the first five pages if not in the teaser itself, and you ought to have your first plot twist at the first act break. Not on this show. On this show, the A story is merely the catalyst for the drama. So if the drama needs eight long pages before we meet the episodic character -- the Person With A Supernatural Issue -- it's going to get them.

(DON'T try this on broadcast. Who knows, it might not even work on cable. But I think it will.)

Still, since the pacing doesn't have to be the same as every other hour show, that means I have to figure out by my gut what the pacing has to be. Free verse, after all, is actually harder than poetic form, because it has to rediscover its own form with each stanza, and not just come off as wordburger. This is free verse TV.

However, as a general rule, if you're not writing to act breaks: keep the story interesting, and all will be forgiven, so long as you build to a climax and wrap it up in the end.

Now back to my pages...

Labels: ,

4 Comments:

Alex, is there going to be a way to legally watch your show in the US? It seems intriguing, but I can hardly go to a canadian hotel every time it's on. Or did I completely miss the memo on where it's going to be broadcast?

By Blogger Michael, at 8:48 PM  

That's very kind of you, Michael. We're still in development. Once we get further into financing, I imagine we'll be looking for a US sale. I'll let you know how that turns out.

By Blogger Alex Epstein, at 9:03 PM  

Why don't you post any of your old script, like John August? I'd be curious to read some.

By Blogger Jon and Kate, at 1:18 PM  

Can I ask - how long did the outline take?

By Blogger blogward, at 4:25 PM  

Post a Comment

Back to Complications Ensue main blog page.



This page is powered by Blogger.